If you shoot raw files with a Fujifilm camera, whether it’s the GFX 100, GFX 50R, X-T3 or X-T30, you can apply the Film Simulation mode look to your images when you process them. So what do you do if you use the wrong Film Simulation mode? And what if you want to get the extra sharpness of the raw files that your Fujifilm camera outputs? Well, Adobe Camera Raw (supplied with Photoshop) and Lightroom have a solution. Acros is also a great choice for black and white photography, but there are several variants with different filter effects. Provia (standard) is a great all-rounder, for example, but sometimes the image needs the extra punch of Velvia (vivid), or perhaps the subtler tones of Astia (soft). Most Fuji photographers have their favourite Film Simulation mode, but different subjects require different treatment.
They’re easy to find and apply at the shooting stage because they’re accessible via the main and Quick menus.
The options are Provia (standard), Velvia (vivid), Astia (soft – more subdued colour and contrast), Classic Chrome, Pro Negative High and Standard, Eterna (Cinema), Acros (black and white), Monochrome and Sepia. Fujifilm’s Film Simulation modes employ the company’s understanding of film and colour in the digital environment and give Jpeg files a specific appearance.
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